Tag Archives: Fae

Fairies and Eggshells

An infestation of uninvited fae can be a nuisance and whilst I absolutely do not think you should go round wantonly banishing the good folk there are times when posting up a magickal “Trespassers will be prosecuted” sign is really handy. The problem is, once you start working with them, they do like to invite their friends. A great and very cheap way of popping up that sign is with Cascarilla, a.k.a ground eggshells. Although I have been using it for some years and was taught it as hoodoo/folk magic skill, I’ve not seen it in mainstream western practises until quite recently, which surprises me because there is a considerable amount of lore surrounding it – especially with the Fae, so let’s have a look.

In German, French, Polish, Irish, Welsh and English folklore stories can be found where a wily human gets rid of a faery problem using eggshells. Brewing with eggshells to confuse a changeling enough to trick it into revealing its true nature is very common as is cooking in eggshells, the poet W.B Yeats recants the woeful tale of Mrs Sullivan who upon suspecting that her child was in fact a Faerie goes through the motion of cooking a meal for all the reapers in the field in just a single egg shell.

The Welsh folklorist John Rhys, tells two distinct tales of mothers who believing that their children have been whisked away by the Benith y Mamau (the mothers blessings) attempt to bake using only eggshells again to trick the changeling into revealing themselves and the prolific folklorist Evan Wentz retells a number of Breton tales where water is boiled in shells roasting before the fire thus causing a faery to cry out, ‘I have seen the acorn before the oak; I have seen the egg before the chicken: I have never seen the equal to this.’*

There are literally dozens of tales with variations on this same egg theme, and the words the faery speaks are so similar that when I discovered it I felt it necessary to do some digging to try and find the source. I’ve found all sort of suggestions to the origins of the eggshell theory, some think that the original source is the 16th century writer Reginald Scot who explained that this connection to the Fae is because both Faeries and Witches can, “saile in an egge shell, a cockle or muscle shell, through and under the tempestuous seas.”

Wirt Sykes* another welsh folklorist claimed that he could trace the origins of the egg shell story back to 7th Century Gaul, however the general use of eggshells in magic can be traced even further still. In the 1st century C.E. the Roman historian Pliny waxed lyrical about the medicinal and magical properties of eggs stating that people would immediately break or pierce the shells of eggs with a spoon after eating them to ward off evil spells. Eggshells were also part of “demon traps” found in middle eastern countries to disarm unwanted spirits, and sometimes, whole eggs were placed at the threshold to appease the threshold guardians specifically Hekate, who unsurprisingly is linked very closely with the Fae. 

This practise is old, old, old and whichever way you look at it eggshells are faery kryptonite. 

So why wouldn’t we use this resource in our regular ritual practises? It’s very simple, wash your shells out and peel out the membrane whilst they are still ‘moist’ and then either bake them and grind them to create brown cascarillia or just let them dry and grind them to make white. I’ve yet to find a definite answer as to why you would use one type over another but as so many of the traditional tales involve cooking with, roasting or heating eggshells as part of the banishing ritual I tend to make the brown kind. The uses are endless bathe in it to cleanse yourself of any unwanted influences from the spirit realm (including rude Fae), place it along your doors and window sills to keep the grobblies out of your home and even place it around your boundaries on your property to aid in your magical shielding. It doesn’t hurt to carry a little sachet of it in your witchy napsack when your out hunting fae either.

Finally I am always up for a good chant when I do this kind of work, and Wirt Sykes very cleverly worked out that the Welsh and the Breton of the words that the Fae speak when they are outed makes a very pleasing rhyme.

‘I have seen the acorn before I saw the oak: I have seen the egg before I saw the white hen: I have never seen the like of this.’

‘Gweliz mez ken gwelet derven,

Gweliz vi ken gwelet iar wenn,

Erioez ne wiliz evelhenn’

Let’s face it the Welsh is way cooler and sounds nice and arcane, really adds to the ambience.


*Evans-Wentz, W. Y. (Walter Yeeling), 1878-1965. The Fairy-Faith in Celtic Countries (pp. 127-128). HardPress Publishing. Kindle Edition.

* Wirt Sikes. British Goblins: Welsh Folk-Lore, Fairy Mythology, Legends and Traditions (p. 54). Organization. Kindle Edition.

Hammer of the Witches – honouring the past

I cannot remember the first time I became enchanted with the idea of the “other” being real. I often tell the story of the fairies at the play park when I talk about my connection with the Fae but when I take time to examine it (as I have done very recently), there is a sense that my relationship began as a combination of factors rather than one pivotal moment. I grew up in a home filled with fantasy and science fiction in a time when fantasy and fiction weren’t really mainstream reading material. The Sci Fi section in both WH Smiths and the local library rarely extended beyond one or two shelves on a bookcase, but my dad and I could spend hours together choosing our books, it was our special time, sacred. I blame my dear old dad for my love of books and my reading tastes because of it; in my teens when my friends were completely hooked on Sweet Valley High, I was memorising the “Litany Against Fear”.*

I suspect I read hundreds of books growing up, although I never counted. There was one summer break where a friend’s mother handed me several carrier bags with about 40 books contained inside, mostly historical romances. I took to my bed to read, only rising to eat, relieve myself, and occasionally shower. I was a teenager and a filthy mutt, please don’t judge. There I stayed for the entire 6 weeks, the unread stack on one side of the bed slowly shrinking and read side growing. My parents despaired, but at least I wasn’t out getting into trouble somewhere, so they mostly suffered my withdrawal from the world. 

Despite my voracious appetite some books stuck rather than fading into the morass, one book from my childhood stood out for me over and above all others, so clearly that even decades later as I was writing Urban Faery Magick it became a bit of an obsession. I purchased a copy and it sat on my desk throughout the entire process. It was often the book I reached for if I wanted to relax, to tune out and escape the world. Guess what? its a fairy story and a really jolly good one too. It’s the story of two Cornish children and their family and what happens when they find and take a Changeling into their home. Its filled with little snippets of lore wrapped up in a children’s tale, its funny, its heart warming and its so sad that it’s haunting. I am convinced that had I not read that book as an impressionable young child I would not be interested in the subjects I study and write about today. A work of fiction is responsible for and has informed my practise, gasp horror! Never again will I roll my eyes at the “Mists of Avalon” brigade.

BTW – If you’re interested the book is called “A Year and a Day” by William Mayne, it’s a little dated, but an enchanting read so if you happen upon a copy somewhere grab it, it won’t take you more than a hour, two tops.

Why am I writing about this today? Well today I was accused of being evil because I have read (and recommended that someone else read) the Malleus Maleficarum. In fairness it is a document written by a religious zealot who was so vile that he was in essence single handedly responsible for the majority of deaths during what we now call the “Burning Times”. This was a time in history when somewhere between 60 and 90 thousand women, and more than a few men across Europe and the Americas were accused of witchcraft and/or heresy and then put to death. In some countries this was by burning, but it was just as common to be strangled or hung or both! Some excitable folks have suggested that it was 100’s of thousands or even millions but the academic evidence does not support this, the numbers however are horrific enough without the exaggeration so I don’t want to detract from what happened. That is not the purpose of this post.

Despite its awful history, the Malleus Maleficarum and subsequent documents such as James I’s Daemonologie give us a unique insight into the world during that period and like it or not, in books like these we can see little snippets of magical practises used even today.  Sorry folks, I know it’s uncomfortable, but forget Crowley, there’s demons and witch hunters in your Wicca! and you know what, that’s absolutely OK, because if we stop examining our history, if we stop taking what works from it and refining it, then we are bound to make the same mistakes in our future – we become stagnant.

If we declare a book or a set of teachings wholly fictional or worse still wholly evil then that is the path we are destined to tread, one of wilful ignorance doomed to repeat history time and time again. Instead if we read, and learn about history from all angles in an objective manner we can see how to move forward. From there we can innovate, improve and help others do the same. No book is evil, regardless of how distasteful it is. A book does not have a morality in and of itself, after all they just contain words, the morality comes from those who read it and how they act upon the words inside. Books aren’t evil, people are, and sticking your fingers in your ears and pretending that they never existed it foolish at best, and at worst downright disrespectful to those who suffered as a result. You want to be a “witch”, then learn what it meant to be accused of being a witch, learn what you were supposed to be able to do (you might be surprised) and honour the poor souls who passed by ensuring you are informed enough to never let it happen again!

  

* “I must not fear, fear is the mind-killer, fear is the little death that brings total obliteration, I will face my fear, I will permit it to pass over me and through me, and when it has gone past, I will turn my inner eye to see its path, where the fear has gone there will be nothing, only I shall remain” – The Litany Against Fear, Frank Herbert Dune. That is some deep shizzle right there, but I  might talk about that on another day.

I do believe in Flower Fairies

A Midsummer Night’s Dream – Arthur Rackham

For many of us our first encounter with the kingdom of fairy is as a child. Girls in particular seem to get targeted with a whole range of books, toys, and clothing featuring fairies. My daughter drove me mad collecting the Rainbow Magic series when she first started reading, with such heroines as Poppy the Piano Fairy, Scarlett the Garnet Fairy and Olivia the Orchid Fairy. This isn’t a new idea either over 80 years ago illustrators such as Cicley Mary Barker and Arthur Rackham were creating delightful images of tiny fae that were associated with the seasons, trees, sacred sites, fruits and flowers. And the images they created found themselves into collections of fairy tales, play manuscripts, children’s television programs, films and books. In a bizarre way the western world has been indoctrinating their children to have an animistic world-view for over a century and not even realising it. Which secretly I find rather excellent.

The concept of a fairy or spirit being associated with a particular plant has a bit of a spotted history. The new age movement is much taken with the idea of “Plant Deva” divine spirits also known as ’shining ones’. These are connected or possibly the actual essence of each living thing. My researches seem to suggest that this name was probably first broached by the Theosophist Geoffrey Hodson but whilst the use of the old sanskrit word Deva maybe a little dubious, the idea is sound. Most of the Shamanic Cultures (North and South) have a long history of working with spirits of particular plants, rocks, and stones etc. But are they Fae? My considered opinion is yes they are, for once you work with them their sentience shines through loud and clear.

I am not a herbalist, or even a very competent amateur and cannot imagine a time where I would ever be, it’s not really my thing. But on a nature walk I’m pretty good at identifying different trees, plants and flowers and there are times when a particular plant will jump out at me. I remember the first time I consciously examined and took notice of the Blackthorn, it was like a presence inside it spoke to me. Before it was a tree that I just about recognised in late Autumn when the sloes were ready to be harvested. Because there is nothing like a good homemade Sloe Gin at Yule so picking the fruit had a purpose. I am all about purpose. However, afterwards even in winter I could even recognise the bare wood. I’d walk down paths I’d walked a hundred times before and be shocked to realise that the hedgerow was primarily Blackthorn, at times I would dream of those trees and a humanoid spirit with violet eyes and no sclera would peer at me through the branches. When I had need of a sturdy walking stick it was a Blackthorn cane I automatically picked out of a bundle at a village fair. In later years Blackthorn would come to me in my dreams, one memorable time to warn me of the destruction of the ancient hedge near where I was living. Blackthorn wasn’t and isn’t just an essence, it is a sentient tangible entity. Akin to a Dryad.

And Blackthorn isn’t the only one. Scarlet Pimpernel works with me often in the summer months. I remember being enchanted when I saw these tiny delicate orangey flowers with a deep crimson centre. So petite it’s easy to miss them, it foretells of good times and bad. Once known as “Old Man’s Weather vane” its little flowers close in foul weather, Ive come to realise that this little plant spirit most often reveals itself to me when there is a promise of good things to come. Turning up unexpectedly in unlikely locations on a memorable day, I always take note of what Pimpernel has to say.

It’s really easy to connect with these Plant Fae. If you can plant them then do, watch them and learn from them, talk to them, meditate with them, cook with them and bathe with them even, assuming that’s appropriate. The more you assimilate the physical plant the easier it is to connect to the Fae who are attached to them. And I specifically use the word attached because  it is definitely a case of individual spirits of a particular species that belong to that specific plant. But once you’ve made connection with one, it’s a lot easier to make connection with others. Like learning French from a native speaker and then going to visit France. Makes communicating so much more simple.

It’s not totally necessary to understand its medicinal purpose or the folklore associated with it the plant, but I do find that it helps to understand the nature of what this “Shining One” is trying to say or it will suddenly make that initial connection easy.  Currently my latest stalker plant is Black Nightshade. I came across a patch whilst playing a scavenger hunt in central London some weeks back and its been stalking me ever since, appearing in places I’ve walked and worked for years and I know I have never noticed this plant before. Its season is nearly over, but still I am finding it in flower in all sorts of places so I always stop and acknowledge it. Gently touch a flower or leaf and ponder why it is that I am only now noticing its presence. I can’t wait to find out what this little creature has to teach me about the Otherworld and myself.

A Sense of the Sacred

Ive just spent a lovely half hour walking my mothers dog. We wandered down to the pebbly beach and I collected hagstones, an item of great worth in my work with the fae. It’s an amazing beach, it is probably one of the most bountiful in its provision of holed and unusual stones that I have ever come across. Just a few minutes will yield a pocket full of stones. Most of which I return at the end of my stay. Although sometimes, just sometimes the odd one makes it way permanently into my life. It’s a very special place, its seen me snuggled under a duvet watching the stars with what was then my soon to be husband. It comforted me as I howled at the moon whilst grieving the loss of my father. It welcomed my small daughter summer after summer, watching her grow into a strong and independent woman. In short, it is personally one of the most sacred places in the world as far as I am concerned.

Sacred doesn’t have to mean a long archeological provenance. It neednt be a place of worship. Nor do the Ancestors, Guardians, Old or Mighty Ones have to be involved. No magickal beings have to be in evidence. Although in reality I tend to find they seem to crawl out of the woodwork (quite literally) once you acknowledge the hallowed nature of a place. It’s actually why I tend not to cast a circle at all outdoors. I don’t banish. I work in harmony with the energies of the place. It’s why choosing your ritual locations is quite important. Picking a spot because its easy to get to, infamous or just because you are curious about it isnt’ always going to give you the results you expect.

I live within a 40 minute drive of the near legendary Alderley Edge, well known by certain initiatory Wiccans and practitioners of several Trad craft lineages. Ive tried working formal magick there. Normally with others who think it would be really cool “Coz witches do stuff there” ! Ive stood back as they have cast a circle or bellowed out an LBRP*. And Ive felt the place close down, it feels thick and muddy, and I can sense this treacle like sensation spread out into the woods which then fall eerily silent and still. But equally I have sat very quietly against the trunk of one of the giant beech trees that line the route to Stormy Point. Letting the darkness creep in around me. Ive listened to people congregating at the Druids circle totally oblivious to the Magick (and the magickal people) going on around them. Ive regularly seen a Goat like figure wander along the pathways. Stop to observe me, bow its head in acknowledgement before silently moving on. At that moment the whole place is overwhelmingly sacred. But because I am in communion with it.

This doesn’t mean that you cannot practise formal ritual in chosen places of power. It means that a relationship has to be built. Permission has to be given. Experiences shared. My beach has seen me invoking the planetary powers, at sunset and sunrise. Long formal Orphic hymns used as the invocations. A circle scratched in the sand with the planetary symbols etched around its circumference. A rite of balancing and growth. Considering the history I have with the place it was the ‘only’ location right for the ritual. The Ocean has silently observed my passing years. Whilst to it my existence is but a blink of an eye, it knows me, it knows my energy. And that is the key.

*Lesser Banishing Ritual of the Pentagram

Invocation to the Old Ones – Making a Connection

Hail Old Ones, Ancient Ones of Time and Space
You who were before the first breath and will be after the last ember
Spirits Who dwell in the void of spirit between the worlds and the stars
Who govern the motions of the stars and planets
Hail Indwelling spirits of trees and rock and lake
Hail Dryads, nymphs and fairies, guardians of sacred sites
– Magick without Peers, David Rankine & Ariadne Rainbird
– Capal Bann 1997

We use this invocation in Coven a lot. It’s a general invocation which ensures all the potential spirits regardless of their origins or place in the universe are honoured. Ensuring that the Spirits get honoured is a very important part of my rites and rituals.

Witches, Wizards, Druids, Shamans call us what you will are all very good at remembering to honour the “big”. We raise our arms in ecstasy and call down the Goddess or the God. At Samhain the ancestors get a look in. Normally with a glass of liquor and a bite to eat. Although I have been to a few rituals where this hasn’t been the case. At public rites, particularly the summer ones we tend to hear about the Genius Locii and the Spirit of the Corn. But that isn’t guaranteed by any stretch of the imagination.

It seems to be there is a disconnect in our minds between the importance of contact with spirits compared with that of deity. I’ve really thought long and hard about why this might be the case. With so many of us being nominal converts from other faiths, is it residual indoctrination? Do we place so much emphasis on “God” as a result of conditioning, that the Spirits are dirty things to be ignored if at all possible. I think this is a real possibility and one so ingrained into our western culture that we don’t even register that there is a problem. Certainly our folklore is full of stories where the primary focus is keeping the Fae away. And there is great merit in approaching the Good Folk with caution.

However, they can also be some of the most important allies we can ever have in our magickal world. If I want something doing, I am more likely to approach an angel, a daemon, a saint (yes a saint, remember they are just beatified ancestors and us witches are all about the ancestors – or we should be), a fairy or a spirit of place. Gods can be a little too abstract and requests to them (in my experience) tend to be of the long slow burn kind of outcome. And the result if not always how you imagined it. Whereas some spirits seem to have a good handle on the human condition and come up with the goods swiftly and reliably. So building strong relationships with all the spirits of the other are just as important as the relationships we build with our Gods.

I give thanks to Our Lady of the Holy Death. Santissima Muerte. Who manifests the will of the divine and gives blessings

As part of this relationship building I think it’s very important that we write our own invocations. Not just big flowery charges used in circle, but also the smaller more personal ones used on a daily basis. This simple exercise makes us really think about the spirits around us, how we interact with them and what that means. Its not an arduous task and I try and write something personal for every spirit that I work with. I write my invocations on index cards. They are small and portable. A bit of blue-tak on your dash can secure the card so its the first thing you see (and say perhaps) before heading to work. Sat on your beside table it can be the last thing you see before bed. You can even prop it on an altar or devotional space. Perhaps decorate it with a border. Or drawings of the spirit you are working with. The effort and the intent will be appreciated and your connection will be stronger.

You will also be pleasantly surprised how quickly you can memorise something relatively complex when you approach it like this.